PF detail from Pierre-Auguste Renoir - Beach Scene, Guernsey (Children by the Sea in Guernsey) - 1883;

ISSN 
1942-2067

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All Rights Reserved.

Last updated:
May 2009

 

Maria Terrone’s work, which has been nominated for a Pushcart Prize, has appeared in such magazines as Poetry, The Hudson Review, Crab Orchard Review, Notre Dame Review, Atlanta Review and Poetry International. She is the recipient of the Willow Review Award for Poetry, the Elinor Benedict Poetry Prize from Passages North, and the Allen Tate Memorial Award from Wind.  In 2007, she received an Individual Artist Initiative Award from the Queens Council on the Arts. Maria Terrone's second book of poetry, “A Secret Room in Fall,” won the 2005 McGovern Prize from Ashland Poetry Press. (Published, December 2006.)  Her first book, “The Bodies We Were Loaned,” appeared from The Word Works  in 2002. Maria is assistant vice president for communications at Queens College of the City University of New York. She lives in Jackson Heights, Queens, with her husband.

Artist “ Anon” | For Blanche, Who Named the Colors

 

Artist “ Anon”

1.Embroiderer of the Emperor’s Robes

Summoned as a boy, he stays alive
in the Forbidden City by weaving
memories with the silk of his mother’s hair,
green thread of mountain mornings.
I squint before its dazzle,
searching for the old, conscripted tailor.
He hides, a bent shadow
on the retinue’s fringe, spent eyes
narrowing to the eye of his needle.

2.Etcher of Scrimshaw

Exiled sailor,
a fallen-down drunk lassoed
by deck rope, tossed by anger’s maelstrom.
But when sunk in loneliness,
he conjures wife and son
on bone: amazing,
how the homesick heart
can guide the improbable hand
to this precise and spidery black art.

3.Itinerant Painter

He travels the Roman Empire by cart
and foot, grinding purple seashells,
gathering soil, soot, and chalk, crushing
colored stones. The names of senators,
centurions and prosperous olive merchants
are lost in time. Yet century after century
his subjects gaze with all-knowing eyes,
familiar to each generation. The faceless
painter? Returned to his element,
he can be found everywhere:
in shell, soil, soot, chalk, stone.

4. Immigrant Seamstress

And what of the girl whom steerage
nearly tore to tatters?
All the doors are locked and exits blocked
in her new country of sorrow.
Even in waning light, she bends
to stitch ten thousand jet beads
onto this black opera cloak
for a patron of the arts
whose name we still revere.
Unfurled on the scarred workbench,
it reminds her of the starlings—
the way hundreds, flashing iridescence,
would sweep down, then settle,
on the rocky fields back home.

 

For Blanche, Who Named the Colors

Praise Blanche, who lived alone
in a ground floor flat
but dwelled in kingdoms

of Venetian Marble and Antique Pearl.
Pondering colors
for the paint company,
she discovered each one’s soul

and gave them their names
when we might say
Rose is just rose or
These shades are all the same.

Praise Blanche, who retreated
behind Cubicle Gray for days
to meditate on lilac till we feared
a plunge into monochrome.

When she emerged,
face flushed, her voice was a bell
extolling Silver Chalice!
First Light! Ice Ballet!

each shade a stand
against sorrow and pain,
the void of no-names,
even when the tongue quavered

and came to rest, remembering
someone in palest Lauren’s Lace.

Jean-Honoré Fragonard  La lettre d'amour  (1769-1770)